 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
2003 IBMA Hall of Honor Inductee
2004 IBMA Banjo Player of the Year
Click the MP3 icon at left to listen to a sample from JD Crowe's latest releaset: Lefty's Old Guitar
The New South
The word “legend” gets used too often these days, but when it comes to James Dee “J. D.”Crowe, no other will do. His pioneering work with Jimmy Martin’s Sunny Mountain Boys, begun while he was still a teenager in the mid–1950s, contributed to scores of bluegrass classics and set a standard to which legions of banjo players and harmony singers still aspire. The Rounder Records debut he recorded in 1975 with his trailblazing band, The New South, is widely recognized as one of the genre’s most important recordings and continues to inspire new generations more than a quarter of a century after its release. While subsequent albums have explored both hard–driving bluegrass and creative country blends. With the Bluegrass Album Band, he reintroduced audiences to the songs of the first generation’s masters in a series of influential albums that spanned more than a decade and a half. He’s earned Grammy and IBMA awards, been honored by his native state and acclaimed around the world. Today, his name is synonymous with unsurpassed mastery of bluegrass tradition, bold innovation, the nurturing of fresh talent and an uncompromising devotion to musical excellence.
Yet
even as he continues to earn recognition for a lifetime of accomplishment,
J. D. also continues to lead a hard-working bluegrass band that
has earned comparison with the greatest of the New South’s
earlier lineups. Dwight McCall, Harold Nixon and Rickey Wasson all
grew up musically within a hundred miles of Crowe’s long time
home ground of Lexington, Kentucky. Inspired not only by the New
Southˆs classic albums but by personal appearances, the Crowe
repertoire and approach to bluegrass are as familiar to them as
bluegrass itself. Supplemented at times on personal appearances
by outstanding instrumentalists like fiddle players Ronnie Stewart,
Aubrey Haynie and Michael Cleveland, they’re equally at home
with the bluegrass classics, the wealth of the New South repertoire
and their own additions to it.
Dwight McCall was born in Maryland, moving to Cincinnati shortly
before he began playing mandolin and singing in earnest as a teenager.
The son of bluegrass great Jim McCall, he first drew attention as
a member of Union Springs, releasing three well-received CDs and
touring regionally between 1992 and 1995. He stopped onto the national
stage as a member of Charlie Waller’s Country Gentlemen before
joining the New South in 1996. He appeared on J. D. Crowe &
The New South’s Come On Down To My World (1999), taking the
lead on the title track as well as several other songs, including
his own “I Don't Know.” His powerful tenor has been
paired with the Lost & Found’s Scottie Sparks on his self–titled
debut of 1999, and with two time IBMA Male Vocalist of the Year
Dan Tyminski, both on the latter’s solo album and the award–winning
Stanley Gospel Tradition.
Rickey Wasson is a lifelong Kentuckian who began playing guitar when he was five. After playing in area groups, he joined Southern Blend in 1985, recording three albums with the band and earning a reputation throughout the region as a gifted lead and rhythm guitarist and New South-influenced singer. He recorded his own solo gospel album, Songs From The Old Country Church (1989), with a guest list that included Alison Krauss, for whom he returned the favor in 1993 by filling in on tour dates as a member of Union Station. Rickey joined the New South in 1998, taking part on several of Come On Down To My World's tracks as guitarist. He also appeared with J. D. Crowe & The New South on the live album, At Bean Blossom: Uncle Pen Days (2000). Like Dwight, Rickey took a hiatus from playing with the New South before returning to the group at the beginning of 2002.
Harold Nixon is the least well–known of the New South’s members, but it’s no exaggeration to say that’s a consequence of his youth than his talent. He first came to the New South’s attention playing with John Cosby and the Bluegrass Drifters, a durable central Kentucky outfit, and served a stint with Unlimited Tradition before joining Crowe’s band in early 2002. Harold’s steady, tasteful but energetic bass is an indispensable part of the New South.
With a compelling blend of youth and experience, tradition and bold creativity, this is a band as close to the heart of bluegrass today as it — or anyone else — has ever been.
When it comes to J. D. Crowe & The New South, no other word but “legend” will do.
| Click here for current tour itinerary |
| Visit Resources Page for Hi Rez Photo, Bio, etc. |